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Marcos 9

Kent Hughes · Citado em PreceptAustin

Marcos 9

Hughes writes that "bright" here is leukos—"white"—the grand apocalyptic color, the color representative of what is beyond; cf. Rev. 2:17; Rev. 6:2; Rev. 20:11 (Preaching the Word – Luke, Volume I: That You May Know the Truth) Zodhiates on leukos - of clothing sometimes in the sense of bright (Matt. 17:2; 28:3; Mark 9:3; 16:5; Luke 9:29; John 20:12; Acts 1:10); of hair (Matt. 5:36; Rev. 1:14); of harvest meaning ripe (John 4:35); of stone (Rev. 2:17); symbolically (Rev. 3:4, 5, 18; 4:4; 6:11; 7:9, 13; 19:14); of a horse (Rev. 6:2; 19:11, 14); of a cloud (Rev. 14:14); of the throne of God (Rev. 20:11). (Borrow The Complete Word Study Dictionary: New Testament) Gilbrant - In classical Greek leukos describes, among other things, the color of snow, hair, stones, clothing, and dust. Like the opposite color melas (“black”), leukos assumes a figurative meaning, with the former symbolizing that which is morally evil and the latter symbolizing purity, holiness, and divinity. In classical texts leukos is the color of sacrificial animals and priestly clothing. Indeed, Plato suggests that the color white is pleasing to the gods (cf. Liddell-Scott). Septuagint Usage = The religious practices of the Hebrews indicate that they held white in similar esteem. In addition to its ordinary literal usages, leukos appears in the Septuagint as the color of priestly garments. Figuratively leukos symbolizes purification from sin (Psalm 51:7; Isaiah 1:18), and a vision of God is dominated by the color leukos (Daniel 7:9). Apart from the four instances mentioned in the previous paragraph, the New Testament uses leukos as the color associated with heaven. Most references are to white clothing, as in the descriptions of the transfiguration of Jesus, the post-Resurrection appearances of angels, or the heavenly citizens in the Book of Revelation. (See, for example, Matthew 17:2; Matthew 28:3; Acts 1:10; Revelation 3:4,5.) Even the throne of God is white (Revelation 20:11). Revelation 1:14 portrays the victorious Christ in terms reminiscent of the Ancient of Days in Daniel 7:9; both of these scenes are dominated by white. (Complete Biblical Library)